A Note About Post-Teen Dramas

The more I watch OTH, the more I find myself thinking to the 2008 web/tv hybrid "Quarterlife." Like a much better and "real" version of My Generation (really??!!- that show only lasted three episodes?- shocker!- I was bored 45 minutes into the first of the one and a half episodes I watched.)

Back from that sideline, Quarterlife was one of those great shows about post-teen life that never got the potential to thrive. There was a scary sense of reality to that show that was so relate-able for me even though I was several years shy of the true quarterlife. AND it was created by the people who created Thirtysomething, which was in the 80s and was about people in a slightly older age bracket- but tackled the same themes and identity.

Now we don't all have those high and mighty One Tree Hill problems, like giving up a career in basketball or having your second kid at 24/25, trying to save your fashion empire, a parent that was sent to jail for corporate fraud, or recovering from a fatal shooting, but then again OTH has always taken the everyday problems and stretched them a little (Lucas's dad blackmailing him to move in because he has to lie to him mom about heart problems, Peyton dating Pete from Fall Out Boy, Uncle Keith getting shot by his brother, Brooke's parent moving out to Cali, starting Clothes over Bros- and really aside from Dan, Karen, and Deb, were anyone's parents really ever around)? But nonetheless, the issues deep down: love-sense of identity-family-friendships-and basketball, have always been relate-able.

Strangely, I've noticed the plots of Mouth and chase both being very real. Mouth losing his job and doing his sports podcast (like from treehillhoops.com back in high school), and Chase managing the bar and his relationships with Alex and Mia (it used to be an all ages club when Peyton started it). And Haley dealing with the death of her mom has also been real- for me- it got a little too real-(see the episode where she jumped in the pool- she was so out of character I thought she was being called Peyton!).

So the quarterlife crisis is alive and well . . .
And Thirtysomething was really the grandmother of all post-teen angsty drama (see example: Garden State)