Cop Fridays 4: This Partnership is Lethal

   Welcome to another installment of Cop Fridays! Let it be known that (in Oprah voice) I love buddy cop dramas. There's something about a wild card and a straight man that brings comedy and joy to every scene. When a network takse a beloved 80's movie franchise and turn it into a TV show, it can go one of two ways, it can be as good as or better than the original, or it can tank. Luckily, FOX's new Lethal Weapon has been to quote Barney Stinson, "All Rise." The delightful pairing of Damon Wayans as the seasoned  "I'm too old for this S**t" Det. Murtaugh and Clayne Crawford as the "request backup later" Det. Riggs is one for the TV partners hall of fame. In my opinion, they are neck and neck with Hawaii 5-0's McGarrett and Danno, which we'll get to in a future post.

     The most recent (2/22) episode involved a murder of a promising college football recruit. It brought the pair to a new location as Murtaugh considers a cushy job in college security. The pair would have to disband their partnership, but Murtaugh could guarantee free college for his three kids assuaging his newly unemployed wife, Trish (Keesha Sharp). In a previous episode, Mrs. Murtaugh quit her big firm law job. After jumping off (again) a dormitory building, Riggs exclaimed somewhat shockingly, somewhat delighted, "I'm literary covered in beer." Riggs's pursuit of the case, of course, ruins Murtaugh's chance at the security job and tanks the popular college football team's season.

     Though the pair are not Mel Gibson and Danny Glover, they have a palpable chemistry. Det. Riggs (shown above) comes to Los Angeles as a transfer from Texas, escaping after a cartel murders his pregnant wife. His in-laws live in the area and try to bring him back to reality, but he doesn't want their help. Riggs spends nights drinking himself to sleep, dreaming about his wife Miranda (Floriana Lima) and taking risky chances on the job. The two were partnered in the hopes that sensible Murtaugh would help to even out the volatile Riggs. Riggs at times over the season opens up to Murtaugh and his family, even becoming a confidant of Murtaugh's teenage son and daughter. Trish's first invitation to family dinner becomes an open one and Riggs slowly shifts into the" fun uncle" role, although Murtaugh's toddler makes him squirmy after his previous trauma.

     Both Riggs and Murtaugh have been to therapy, and for good reasons. Riggs is forced by the department (see risky antics and borderline alcoholism) to see a shrink, played by Jordana Brewster. Brewster's Dr. Cahill seems to get through to Riggs marginally in each session we witness, as he gives a little and then takes it all back at the end. Dr. Cahill is incredibly patient, letting Riggs eat her salad from the work fridge because it must mean more to him than to her since he went to the trouble of stealing it. I could see this  duo blossoming into a "will they or won't they" type of ship in the future. Riggs also has struck up a friendship with DEA Agent Karen Palmer (Hilarie Burton) that could turn romantic, and I am on board for that. Burton plays a role that reminds me of her White Collar character Sara, only on the law-enforcement side instead of the con/conned side. A recent episode ended with Riggs covering Sara with a blanket after fetching some late night Chinese food. It's a relatively new side to Riggs and it looks like this may develop more in next week's episode. I would like to see him start to move on, or at least make another friend besides Riggs.

Damon Wayans on Happy Endings
 Photo From Youtube

     Murtaugh's journey is a bit more complicated. He is always the dependable one, the by-the-book cop, which becomes one of the main sources of conflict, and comedy. Damon Wayans is a great comedic actor, as are all Wayans brothers, but I tie his best work to his facial expressions and his son, Damon Wayans, Jr.  As Murtaugh, Wayans is expressive in small, quiet ways. He seems grumpy most of the time, but lights up in scenes with his family. Murtaugh is cop before he is a father. He makes sure to punish his kids when they get busted for things a fake I.D. or for joy riding an expensive car.

     Following the pre-pilot heart attack that sidelined him,  Murtaugh slowly falls to pieces  in an episode where he must wear a heart monitor while on the job. Police work is bound to be stressful, but Riggs jumping off buildings and chasing cars sets the monitor off at an alarming rare. I know I shoul be concerned for Murtaugh and his health, but Wayans keeps me laughing. Another great episode paired the detectives with a Chinatown detective that was Murtaugh's procedural equal. They both wanted to call in backup  early, a refreshing change from what usually happens (usually backup is not called or comes after the gunfire with the perps has started). In the end, Murtaugh could not take up the detective's offer to switch departments because he seems to relish in the frustration and danger that comes with each day on the job.

     Reality is not lost on this show. Los Angeles is a crazy place, and crimes have taken the investigators to model parties, casinos, churches, and even burglaries in Murtaugh's suburban neighborhood. At the end of the pilot, the duo get reamed out by their superior Capt. Avery (Kevin Rahm,) for causing over $60,000 dollars of damage to the the city while pursuing suspects. This seems like a scene that would end a movie. Since this is a TV show, we see from week to week how the detectives are treated by the department after messing up. They are given a warning, they are sent to therapy etc.. Some may call the show predictable, but there's something nice about a predictable show. It's almost as if this show was a  drama trapped in the body of a sitcom. As an audience, we see changes in Murtaugh and Riggs's interactions with each other, but they tend to be stock characters and we know that in each new situation, something will go amiss.  By the end of the episode, they find a way to bring in the bad guys, and they try to resolve personal issues that develop during the episode. That's something I'll never be too old for...

See the 1st  Cop Fridays post here.
See the 2nd Cop Fridays post here.
See the 3rd  Cop Fridays post here.

Cop Fridays 3: It's So Hard to Say Goodbye to Bones

Image from Pintrest

     It's time for another installment of Cop Fridays! This time we take a look at the rapidly approaching series finale of my most beloved cop show, Bones. Aside from COPS and American Idol, the 12-season running Bones may be one of the longest-running shows FOX has ever had the pleasure of airing.

      I'm going to get sentimental for a moment and explain why the show is so emotionally enmeshed in my viewing past. The show premiered in the Fall of 2005. I was a college freshman looking for new friendships and television shows. All you had to say was that David Boreanez "Angel from BUFFY" was playing a hunky FBI agent, and I was hooked. I invited my close friends over for a viewing party of the first episode. We all cheered when Emily Deschanel's Dr. Temperance Brennan grabbed a gun and shot a suspect in the leg to prevent him from getting away. It was illegal, it was wrong, and it was awesome! Remember, she is the forensic scientist - hence the name Bones- and she should not have done that at all for various ethical and legal reasons.

The show became a bonding experience over subsequent seasons, I had regular Bones dates with a group of friends. We held out hope that one day Brennan and said hunky partner,  FBI agent Seely Booth, would get together. It took years... She was with child before the audience discovered they were fooling around. From that moment in the 6th season finale, Booth and Bones seemed inseparable. With two kids, several kidnappings, and trips to faraway places like Peru and London for cases, it seemed like they could handle everything. They even tried giving up their crime solving at the end of season 10, quitting their jobs in an attempt to give their family a normal life (it didn't last).

     This week, it all stopped making sense. Brennan's ex-convict father Max (the incomparable Ryan O'Neal) died at the end of last Tuesday's episode. In another psychotic revenge plot, Max protected his grandkids from an attack at home. [Sounds like just another day at the F.B.I, right?] He came through surgery for a gunshot wound, passing suddenly as he talked with Bones. After that moment, Bones lost it. The father she spent years not knowing (due to her parents faking their deaths and going on the lam, leaving Bones and her brother to grow up in foster care), was gone and died doing what he could to protect his family.

      What would someone do after suffering a tragic loss? She would be the subject of this week's episode "The Grief in the Girl." Bones flipped out, becoming distant from her husband, telling him that he should go to Canada to work a case, and it's really not important if he makes it to the memorial. She catches up with an ex-boyfriend (sorry, I forgot you existed, FBI Agent Sully). She works the case from D.C. She writes a eulogy. She is at best, her pre-Booth robotic self. She is at best, completely falling apart in her own Bones way. I really can't understand why she is/was so into Sully. By the time she reaches the memorial, Bones is finally ready to open up to Booth like most normal people do when they lose a parent. Bones justifies her time with Sully, saying that relationship prepared her for a relationship with Booth. That's cool, but I thought his coming to town just for her dad's funeral and putting in a several-day hang was odd and inappropriate. It seemed bizarre that he left the FBI, skipped town and ghosted Bones, and then wanted to be there in her hour of need. He has a girlfriend he might want to marry back at home. For the record, their relationship was not a Buffy/Angel after Joyce's death situation. It was also odd that Bones would abandon her evolved emotional arc and become so distant from her husband. I have not been this upset over and episode since  Dr. Hodgins got confined to a wheelchair, and before that, when Dr. Sweets unexpectedly died.  While I'm willing to give this episode a pass, I hope this is a justified  plot device that will help the characters move on as we go to the last episode.

I was okay with Bones through this weekend. Then, I got upset again. David Boreanez appeared on The Huffington Post's Build Series this Monday. It was a delightful interview, until he teased there might be several  more deaths in the last few episodes. I went right back into a glass case of emotion. and I cannot keep doing this again. Usually Bones is known for keeping death to the corpses in the lab. Do we as an audience need the schadenfreude of the writers killing multiple characters to help ua walk away from a show? Absolutely not, no bones about it.

*Updated 2/28
See the amazing Forbes recap of the episode here.
See the first COP Fridays post here.
See the second COP Fridays post here.

Rocky Horror-ish

Image from WiffleGif

     Six years ago, FOX took a chance on the Rocky Horror Picture Show (Subtitled Let's do The Time Warp Again) via an episode of GLEE. I gave it a fairly favorable review at the time (in my defense, the episode had John Stamos), but I could see where the story lacked definition and guts. After viewing the TV movie reboot from a few weeks ago, I still have same of the same qualms. In 2016, "RH" is not much of a shocker. I think that may be the overall problem with the musical. There's something so hokey about the 1975 version that is lost on today's audiences. We're  much more jaded, unlike innocent Brad and Janet. We're not at all shocked when Dr. Frank-N-Furter  (Laverne Cox) stabs beloved rocker Eddie (Adam Lambert) and pushed him out an open window. When Janet (Victoria Justice) begs perfect man specimen Rocky to "Touch-a touch-a touch me" in her skirt slip and bra, she's covered more than Britney Spears on stage in Las Vegas.

Image from Nerdist

     For good measure, the "Time warp" dance was good, but it looked tame compared to 90 percent of the stage performances at the 2016 MTV VMAs. We don't even bat an eye over songs like "Sweet Transvestite." In short, it was a decent production, but nothing really special  because the first "RH" broke the mold. It's too campy to be taken seriously as a  new movie. The beauty of a live performance of Rocky is the audience interaction, which took on a life of it's own. The team attempted to represent this by showing extras in a movie theater watching the scenes from time to time and reacting as an audience at a live show would. For someone not familiar with the musical, it would come off as confusing and odd that they were cutting to people throwing popcorn at a marriage proposal between the Doc and Rocky. I also think they strangely left out a lot of the parts in songs where the audience yells out things to the cast. They could have put these notes on the screen, like the "Hand Jive" instructions for Grease Live. My summation on January's production is coming soon, and looking more favorable every day I think about "RH."

BOTTOM LINE:
     The costumes were as expected, the singing was good, and the casting was adequate. There was one notable exception of Rocky, who seemed to clomp like an elephant one moment, and deftly maneuver around a bed the next. I liked the rendition of the "pool" scene in this version more than in the older movie. Quite honestly, most of that scene should be cut. It comes at a part of the movie when everyone is sensing it's filler. My recommendation is to stick with a live action version being acted out along with the movie. I'll give this version a solid 2.75 out of 5 stars. I bumped it up from 2.5 because of how sad and uncomfortable stroke survivor Tim Rice (the original Dr. Frank) looked as the narrator.

Welcome to the BH....

     As promised, I re-watched the first episode (of a 2-part premiere) of Beverly Hills, 90210 and have listed my unabashed thoughts below. Please note, I am seeing this after many years and using a  "I've seen too many 90's teen movies" lens.

Image from Quotesgram.com

Meet the Twins/
Entering West Beverly High: 
1. I immediately yelled Whoa Joey Lawrence! when I saw Brandon Walsh's hair.
2. Did I miss it, or did they explain that Brandon and Brenda are twins?
3. Why did they move there?
4. It sounds like Brandon was more popular than Brenda in Minneapolis. I'm sticking with this theory.
5. The opening credits: Why are the paparazzi with business suits? Do kids in BH really drive to school with surf boards in their cars? They're a bit far from the beach.
6. Locking your car remotely was a big deal in 1989.
7. Some girl is wearing a way too short mini skirt to school. Where are her parents?
8. Is there really a high school radio station playing everywhere? This explains She's All That.
9. This is the Buffy the Vampire Slayer school! Torrance, CA shout-out!
10. Why is Steve cool???? Why did Kelly date him? Was she that hideous before the nose job? 
11.Like the boys in the Gossip Girl pilot, Andrea takes the public bus to school. This means she is poor and the whole story will probably change in the next episode.
12. Did anyone sit at legitimate lab desks in high school? We had desks and a counter space ran the outside of the room facing the walls.
13. Is Spanish 2 entirely in Spanish? Even my college level French classes had English components.
14. Steve might be a racist to the Spanish teacher.
15. Newspaper too serious at this school.
16.  Andrea is wearing a men's double-breasted suit jacked instead of a blazer. Tragic!
17. They just went on about pool parties around the year and the cheerleader is wearing a long-sleeved sweater in California, in September.

The Parties:
18. This house party is the start of all my unrealistic expectations about high school.
19. Again, where are the parents?
20. Who has cater waiters at a teenag party?
21. David Silver is the patron saint of nerds: post Anthony Michael Hall and pre-Superbad) and he dressed like Duckie in Pretty in Pink. 
22. Steve has rape culture written all over his forehead fr the first few minutes.
23. I honestly think Steve had no possibly to be redeemed.
24. Steve is so lame, and also the jerky jock. How is this possible?
25. Brandon met the poor little rich girl. she seems to have two personalities (shy loner and throwing stuff in the pool) and I don't believe there will be any payoff to this relationship.
26. Drunk Steve being driven home by 14-year-old David just makes me mad.
27. Steve will not redeem himself. I hate him.
28. Kelly chalks ID's. It is the worst thing I've even seen and I once witnessed someone trying to chalk an ID.
29. Why does the Spanish teacher dance in the hall with headphones? Why is the principal interested? Why is the plot to Clueless showing up before Clueless is written?
30. What 15 or 16 year old is allowed to stay out util midnight? Even with parents, Brenda and Brandon  have way too much freedom.
31. This club looks like a Paula Abdul video people in mesh shirts or and tuxedos grinding on each other.
32. All the girls get turned away from the club except Brenda. This reminds me of The Baby Sitters Club movie where Stacey and Claudia go out with 17 year old Europeans and they are only 13. Thirteen!!
33. Only teenage girls order pineapple colada drinks in a non-tiki bar!!! Red flag, bartender lady!
34. This "nice guy" is a total liar. 

Happy 90210 Day!

Image courtesy of Tumblr.

Today is the 26th anniversary of the first airing of FOX's seminal teen drama,  Beverly  Hills, 90210. Teen twins Brenda (Shannen Doherty) and Brandon Walsh (Jason Priestly) were forced to move from boring old Minneapolis to West Beverly, where they clearly did not fit in. But as most adaptable teens, they "kaught up with the Kardashians*" pretty quickly. Like two frenemies showing up to the formal with the same velvet cocktail dress or a pal stealing your boyfriend, the sun-soaked 10-season show has many memories a-flowing. It also sparked a lifetime movie about the behind the scenes gossip.  In honor, I will be reliving and live blogging the premiere episode later this week.
Stay Tuned!

Image courtesy of TV Guide article. 

* In the 90's, one would have said "kept up with the Joneses".

So Long, Jimmy

     Has anyone ever held on to the fantasy of their estranged grandparents getting back together? Well little Edie (played by twins Emelia and Layla Golfieri) is oping for two generations to patch things up. Edie is a toddler being raised by a curious group of family in a fairly "Full House". Her app-developer dad and resident sensetive guy Gerald E. Kingsley (Josh Peck) and entrepreneur-without-a-cause mom Vanessa (No-last-name like her icon Rhianna) played by singer Christina Milian. Gerald is also the product of two unlikely parents, hippie social worker Sarah (Paget Brewster, a.k.a. Kathy from FRIENDS), and an unknown father, until the first episode of this show. Gerald shows up at a an L.A. barely-hotspot, Jimmy's, and announces to Jimmy Martino (John Stamos) that he is his long-lost 25-year old son. Jimmy doesn't know how to fit into a family that plays an elaborate game to choose a movie night, let alone how to grandparent or parent a child. He makes an elaborate show of ditching Thanksgiving to take a model girlfriend to the beach. As soon as Jimmy meets a more recent ex of Sarah, he jumps in, trying to show Gerald he can be more of a dad than a guy that raised him for several years.   In the end, Jimmy realized he only wanted to be the his family on the holiday.       

     Over time, the family wears Jimmy down with their kindness. He makes up for lost time with Gerald and little Edie. As expected, jokes about about popular culture, trying to be cool, taking care of children, and Jimmy's obsession with his hair abound.  Yes, it's a bit hokey. It is also loaded with "back together" cameos Bob Saget (as an old pal of Jimmy that wants to keep partying), Drake Bell (Drake & Josh) as a crude potential investor for Gerald's app. The storylines are a bit cliche at times,  but Stamos' charm is never wavering. My favorite episodes included one where Gerald and his dad pretend to be a gay couple to get Edie into a fancy preschool (Edie's Two Dads). In another,  SNL alum Nasim Pedrad (Budget Spa) takes Jimmy on a wild date that makes him realize he craves too much validation from women.  Every character's life generally improves from time spent in this unlikely group. Weekly family dinners happen at Jimmy's restaurant, whether cranky Annalise (Kelly Jenrette) has gotten them a table or not. Yes, Jimmy's sous-chef Ravi and personal assistant Annalise are reluctant at first, but enjoy hanging around with the Kingsley clan. Ravi tries to hard to be liked and be a part of Jimmy's family, while outwardly Annalise could care less. Shy Gerald breaks out of his shell, winning over Vanessa, who goes after tough guys with motorcycles and tattoos. Sarah remembers how wild she was hen she knew Jimmy, and learns to forgive him for not being there for her, and forgives herself  for not telling Jimmy they had a son.

     Jimmy needs this new family, plain and simple. We learn toward the end of the season in a heartbreaking origin episode (Jimmy's 50th, Again) that his dad was never proud of him and he filled the last 20+ years with meaningless flings so he didn't have to connect with anyone. When Jimmy meets tough businesswoman and Queen of the "Thanks for last night" muffin basket, Catherine Sanders (Regina Hall), he has his first honest relationship in years. Jimmy also learns how terrible he has treated women in the past. This is also the same point when Sarah admits she has rekindled feelings for Jimmy. Is one big, happy Kingsley clan in the horizon? The answer is NO! 

     The show wrapped season 1 a few weeks ago and was unabashedly cancelled by FOX along with The Grinder. We were left with Gerald's proposal scavenger hunt  for Vanessa gone horribly wrong but accepted. Jimmy's father passed away. Sarah broke up with her boyfriend the day before they were moving in together. Jimmy told Sarah he broke up with Catherine, then went to really break up with her in a dramatic airport run. Sarah discovered this from her granddaughter, and "pulled a Jimmy", leaving Mr. Martino flying solo at a Cure concert, like he stood her up 25 years ago. While I have wrested with my definition of "pulling a Jimmy" (muffin baskets after a one-night stand,  keeping a secret vault of  moisturizer and tanner, namedropping "B' list celebrities), I think I came come to the true definition. Pulling a show off the air while it was developing an emotional heart is "pulling a Jimmy". It is so hard to find a delicate balance of funny, hokey and emotionally moving these days, and FOX pulled a show that is doing all of this. Seriously, does anyone think they are writing this week on Brooklyn 99? Bad move, FOX.

What Happened to Wayward Pines?????

I have been watching the trailer for the upcoming season of FOX's addictive and creepy Wayward Pines 2nd season (coming May 25th). I cannot make sense of most the things I'm seeing. The only things I know for sure is that:

  1. Matt Dillon's sheriff/FBI agent Ethan Burke was killed in the season finale, sacrificing himself to save the group from the terrifying "Abbeys."
2.  Ethan's teenage son Ben was tended to at a hospital after the incident and was told by his girlfriend Amy that all the adults were put to sleep and the teens (called the First Generation)  took over the town.
3. There are new people discovering Wayward Pines, and this time we know more about what's going on there.

SPOILERS AND MORE FROM SEASON 1:  It's the future (the year 3,000-something) and there was a zombie apocalypse. One town in Idaho is left. People didn't know how they got there ("an accident" for many) and they cannot leave the town. Why can't they leave? NBD,  because the people/zombie mutants have destroyed everything outside of the town. Each towns-person is awakened over time and given a new job and family, and the children are the only ones who are taught the truth. That's it in a nutshell.

How did they arrive in the future that is not at all like the Jonas Brothers song, sadly? Random people were  chosen and plucked out of their lives in the mid 20-teens. Then they were knocked unconscious and never recovered in their present time and sealed into sleeping chambers for about 1,000 years by a crazy scientist, who is now dead from the Abbey uprising.

New Girls Turns 100!

     Thank the baby cheeses that Jess (Zooey Deschanel) is back to New Girl this week. It's been a long-suffering number of weeks while she was on maternity leave from the show. In the meantime, we were left with Megan Fox playing a new, moody, and temporary roommate Reagan staying in Jess's room. Not a moment too soon, Jess's jury duty has ended for this 100th episode. Jess was part of a sequestered jury. Jess's ex, Nick, likes Reagan and came close to making a real connection with her. I apologize if you like Meagan Fox, but I really have a low tolerance for her. She always looks distressed in some way. This character was only staying in the loft for a month. Nick now has to say goodbye to her and find his "Goosebumps Walkaway", a movie-ending scene stealing quote that is not "Bad Bye."

     Now that Jess is back (and good news, she found the defendant guilty on all four counts and made-up T-shirts proclaiming so), she wants to find a cute juror that she only knows by his jury number (Juror 237B). Reagan agrees to help him, and they begin an adventure that involved Winston pulling police records to learn his name is Gary. Nick is very uncomfortable and full of anxiety that his ex and his new crush  have a) lived in the same room and b) are becoming friendly. Reagan is very uncomfortable with Jess's "Jess-ness," but she admits to having feelings for Schmidt. With Jess's encouragement and valuable,e advice about Nick, Reagan finds her own way to tell Nick she will miss him, and they leave things unresolved by friendly. Jess finds Gary when they both get interviewed by the news about the case. Despite the dark lighting and voice alterations to protect the members of the jury, they share all their personal information to arrange a meetup. At the meeting, they find they have nothing in common, it was all the anticipation of the case.

     Meanwhile, Winston brings Cece and Schmidt to a "dance gathering", where they hope to practice their first dance moves for their wedding. Schmidt admits to being bullied into always learning a dance correctly from an embarrassing childhood talent show. The episode ends with the gang (Jess, Nick, Cece, Schmidt and Winston all purposely free-styling dance moves for "The Hustle." Ah, things finally seem right with the world again.

The X-Files Reboot: I Want to Believe But What Are We Believing? (SPOILERS!)

A.K.A.- Our Kid Is Out There

     To be honest, I wasn’t sure what to think of the new miniseries style season (number 10) of The X-Files. It took me watching this to realize how much Fox put into BONES, which picked up where X-Files left off in a way, but with a fuller story arc. They took it one step further- they fell in love, admitted it, had kids, got married, tried to leave the FBI behind, and came crawling back to solve crime (Booth and Bones, not Mulder and Scully).

      In its essence, I liked the new season, which ended last Monday. Still it lacked a district style of storytelling, almost like they had a group of writers throw some ideas at the wall, and then they used all of the ideas, and went home and realized they had to tie the initial story back together. Let it be known, I like the monster of the week concept of storytelling with a longer issue/villain at work (See Buffy, Charmed etc..), but it’s tough to do in a month+ of episodes. The overall (and barely legitimate) story tying things together is that first Scully and then Mulder realize they might have made a big mistake in giving up their son, William. Little William could have had a normal life with them (as normal as a kid of alien hunting FBI agents can do), but they were worried for his safety and they gave him up. He is a teenager now and they desperately need him to fill the hole in their hearts and (SPOILER ALERT!!) to save Mulder from dying of a weird apocalyptic disease.  Also, from the last scene setup, it is clear something else (another season or a third X-Files movie) is in the works with their son making his first real appearance since birth.

     Season 1’s opening episode My Struggle: Part 1 was truly Fox Mulder's (David Duchovny) story. The last 14 years have not been kind to him. It looks like he has struggled with drinking and got thrown out of any respect in the FBI, and he still lurks in a basement office.  He and ex-partner (in more ways than one) Dana Scully (Gillian Anderson) have not seen each other in a while, and they have not lived happily ever after as a couple like one might hope. Scully is doing what she does best, running a hospital lab. Joel McHale’s TV pundit Tad O'Malley brings a case to them: a possible government conspiracy and a woman who claims she was abducted by aliens.

     In today’s society, government cover-ups seem less like the idea of a sci-fi story and more like an everyday practice. What could it be this time?  This one's a doozy. People may have been abducted by UFOs (real alien technology borrowed by the government) and unwillingly become part of secret experiment s that gives them alien DNA. Now that we’re all caught up, Mulder and Scully get back to working for Agent Skinner and trying to make sense of this seemingly bogus threat. As Tad points out; the world has changed. All of our seemingly private conversations are listened to, everything is hacked, and biological warfare threatens the very existence of civilization.

EP 2: Founder’s Mutation

     A series of events lands the duo in trouble with the department of defense for investigating a creepy clinic where pregnant teen girls seek haven. It turns out their babies are being stolen from girls' wombs and experimented on by a doctor (Goldman, a.k.a "The Founder") who did the very same experiments on his own kids' genetics, keeping his daughter locked up for years in a facility and his wife convinced she's crazy.  This girl has Alex Mack style powers. She's just about the same age as William. Goldman's son ends up locating his daughter and they use their super powers to kill their dad and escape. Ah, the joys of parenting...

EP3: Mulder and Scully Meet The Were-Monster

     A dead boy is found in the woods. Maybe he was killed by a bear, a wolf, a vampire... or a were-monster?  Yes, there's a difference. This is one of the odder episodes and it veered way off course from even the alien mythology. Mulder and Scully meet the monster and Mulder gets his whole story: "Guy" was bitten by a human, changing his lizard-like appearance human for certain hours until he turns back into a flesh-eating monster. The only legitimate thing about this episode was Mulder getting some renewed faith in his wacky theories. This is barely a plot point. This episode was really frivolous. 

EP4: Home Again

     Scully's mom is ill and she rushes to be by her side. Mulder handles most of the investigating for the case, a murder of a city official bent on getting the homeless out of a particular area of town. "Trahman", a street artist made a creation of garbage and it came to life, murdering the city official and others. This is heavy on metaphor here- what you build may come back and destroy everything. Scully's mom was heavy on straight talk. She calls of for Scully's long-lost brother William, and tells Mulder, "I have a son named William. You do too." before her final breath. 

EP 5: Babylon

Mulder in "Babylon"- from Fox

     Mulder and Scully meet a pair of partners at the FBI (Still not Booth and Bones, although I see huge crossover potential) while trying to connect to an unconscious surviving bomber to find the rest of his crew.  Agent Miller is just like Mulder, diving into conspiracy theories, and Agent Einstein is a female doctor working with the FBI to bring logic and reasoning to the team. It's basically a blast from the past here. Scully and Miller team up, with Arabic expert Miller communicating and Scully checking the bomber for brain wave functioning.

     Mulder reluctantly gets Dr. Einstein to go with his plan, where she administers him a psychotropic drug and he dream walks into the bomber's subconscious. The reality of the situation is that Mulder thinks he takes 'shrooms and ends up having a fake trip (or was it somehow real?) in Texas, dancing in a honky tonk to the best of Billy Ray Cyrus. This scene was very amusing and I loved it, but it really did eat away at some valuable minutes of the show. Mulder gets in big trouble with Agent Skinner, but his trippy dream led him to the answer : a hotel name in Arabic and some much needed to closure to the bomber's mom that he was coerced into joining the group. Mulder may have seen God in his dreams, depending on how you interpret the white clouds and trippy sense of peace he found. Maybe he became more of Scully's believer, one of faith versus one of aliens and conspiracies.

EP6: My Struggle (Part 2) 

     Episode 6 is Scully's struggle. Gillian Anderson carries most of the episode, with Mulder kidnapped by the "Smoking Man" (who is his birth father, and still alive after all these years?!). Mulder is pretty beaten and bruised and according to his phone, somewhere in South Carolina. Agent Miller goes off to rescue him while Agent Einstein helps Scully try to make sense of the rapid illnesses taking control of the population. Deadly outbreaks of disease start spreading and Tad O'Malley finally has the courage to go on TV and announce all of his crazy theories about aliens and government cover-ups because everyone is probably dying. Everyone except Scully. Why? She was given alien D.N.A. when she was abducted years ago (in Season 6). Agent Reyes started helping the Cigarette Smoking Man  (his proper name) almost 14 years ago with this terrible plan to wipe all the crappy people off the earth, leaving only people with alien D.N.A. alive. Why? No reason, he's just evil.... How did people get alien D.N.A? Abductions like Scully. How did they get sick, vaccinations (score one for Jennie McCarthy here).
   
     CSM asks Mulder is he wants some alien D.N.A. to survive, and he says no. Mulder is rescued by Agent Miller and they drive back to D.C. Scully chases them through the beltway, which is stopped dead with traffic because so many people are ill. Scully has a plan, we'll find William, their long-lost son, who will have her same resistant alien D.N.A., and give some to his dad, Mulder. Then a space ship appears overhead and shines its lights on them. END SCENE....

THE END
     This is how they're leaving it... for now. All of these silly monsters and telekinetic kids and dancing to Honky Tonk Badonkadonk, and then a possible alien invasion and cute kids playing Mulder and Skully junior.  Now the pair want to go find their son, and Mulder is half-dead. Way to go Scully..... This brings an end to my rant. I can't believe where this trajectory landed. I'm also happy to report the advent of cell phones makes things so much easier in these police/emergency drama/ evil creature shows now. #TruthIsOutThere

Grinder (noun)

"What does it mean, 'to grind' asks Dean Sanderson's (Rob Lowe) new therapist, played by guest star Maya Ruldoph.

Dean responds, "Doing whatever it takes to find justice, no matter how hard the grind... and the grind is the everyday struggle."

     FOX took a chance this season with a sitcom called The Grinder (not the Grindr) about adult brothers who start (reluctantly) working together in a law practice. Have we seen this type of plot before? Of course…. (Hyperion Bay with Mark Paul Gosselaar >comes to mind). The difference in this show is all in the casting. The brothers are two of my beloved 80’s and 90’s actors. I could not be more excited for Fred Savage’s (Stewart)  return to acting and the return of Lowe to comedy. This is Savage's first foray away from the director's chair since the sitcom, Working (1997-1999).
     

     Let it be known that while I favored his real life brother Ben Savage (Cory from Boy/Girl Meets World for many years, I am back on Team Fred when it comes to choosing which Savage I love. Savage's Stewart runs Sanderson and Yao, a law firm in Boise, Idaho, a firm started by his dad, Dean Sanderson, Sr. (William Devane). Dean Sr. is ticked to have his son home after Dean Jr.'s many successful seasons as TV lawyer, Mitch Grinder.

    Mitch Grinder is his own unique character.  Rob Lowe does what he does best here: he plays an actor playing a lawyer,  and both characters are a bit self-indulgent. It’s basically the best of teen Rob Lowe’s boyish charm (St. Elmo’s Fire, The Outsiders) and adult Rob Lowe’s commitment to #truthandjustice mixed together (The West Wing,The Lyon's Den, Brothers and Sisters). The scenes from the show with a show are pretty dramatic with emotional outbursts, clawing out of a coffin in the ground, romantic trysts on the confrence table, and the last-minute proclamation that "grinds" (pun intended) the case to a swift halt.  In every episode of the show, the Sanderson men, along with Stewart's wife Debbie (Mary Elizabeth Ellis, the waitress from It's Always Sunny in Philadelphia) and teen kids, watch episodes of "The Grinder" and Dean shares his motivation for the episode, with ridiculous things like getting a teenage son in one episode to show his character's emotional depth.


In the episode first mentioned above, Dean's therapist suggests that in order for Dean to move forward in life (or at least move out of his brother's house), he has to let "The Grinder" die. This should be simple because in the new reboot of the show, Grinder: New Orleans, Dean guest stars to give his new TV brother Rake (played by Timothy Olyphant) some advice, and decides his character must die to complete his character arc. This plan took some convincing and entailed a very confusing courtroom scene where Stu showed up as their third long-lost brother and also offered to die on the show, via poison. As for Olyphant, he has done some great work playing a Hollywood version of himself, making Dean look  a little more human and sparking a romantic triangle (at least in Dean's eyes) with Sanderson and Yao's associate, Claire. Other guest stars have included Christina Applegate as a closeted fan pretending she had never seen Dean's show, Jim Rash as a potential client, Jason Alexander as "The Grinder" director.

“We watch The Grinder, we talk about it while we’re watching it, and after we’re watching it, and it feels to me like we should operate more in reality.”  - Stu

“Were you at the bar this whole time, just waiting to interject at the perfect moment?”

      -     Client (Jim Rash) to Dean

Freeform: Coming to your Local Television

     Tomorrow, ABC Family will change its name to Freeform. Since 2001, they have been known as the gawky teen cousin network of ABC, showing reruns of  Sabrina the Teenage Witch, Whose Line Is It Anyway?, Gilmore Girls, Step by Step and other 90's and early 2000's shows. The network also launched the wildly successful and addictive Pretty Little Liars (teen murderesses) and a host of other interesting shows and subject matter such as :

• Make It or Break It (gymnastics team with issues)
• The Fosters, (a charming Lesbian couple and their foster children, with issues) 
• and the often dialogue-plagued: The Secret Life of the American Teenager (pregnant teens- with issues)

     According to statements from ABC Family, they are trying to hold on to their 18-34 females demographic and feel this name change will help them become more accepted or cool. I find this a big funny for a network that built it's empire on teen dramas. Let's face it, the WB never tried to be cool, but it drew a huge pull of women in that demographic and both women older and younger than it , and still does as the current CW network. It also calls its demo (or its Demi Lovato, as comedians Nikki Glazer and Sara Schafer referred to the demographic of their short lived MTV show), the becomers. To me, as a woman in that coveted "Demi", I am really creeped out and a little offended. The Becomers sounds like the next Vampire Diaries spinoff. "The Becomers" will get you at 9 P.M. on Thursday night.

     We'll have to see how this all plays out. The same network held a blaze of glory from 1998 - 2001  as Fox Family Channel before it changed over to ABC. I was pretty upset at the time and may never recover from the lack of S Club 7 reruns. (S Club has shows in Miami and Los Angeles and they were amazing). Fergie of the black eyed peas also hosted a show where kids won prizes for the best lip sync to a popular song. It was truly a renaissance. Before that, the channel was known as the Christian-inspired  Family Channel and I'm not too sure it had any appealing programming other than old reruns of Bonanza.  

Paging Dr. Mindy: Let's Get A Doctor's Note For This News

I have to thank BuzzFeed for this meme. 

   
Hello everyone! I'm taking a break from my Month of Bridal Showers to expound on some terrible news. Fox has cancelled The Mindy Project! Words cannot really explain how upset I am by this...

   





     We are rocking a major cliffhanger of an episode! Danny Castellano is finally coming to become the romantic male lead we always knew he could be! I'm hoping the show might be picked up by cable or something... a la Cougartown, just two years ago. I could see this type of move working for the quirky comedy Mindy brings to TV. While still reeling from the death of McDreamy, this is more than my TV-finale bound heart can take.

A Note About The Glee Picture Show

On Halloween, (how fitting!) I finally got a chance to watch the much-anticipated Halloween/Rocky Horror themed episode of "GLEE." It's too bad my cable was out during the actual episode airing because of a little event I've taken to calling foxvisiongate (Fox fought with my cable company and pulled programming for a few weeks). Bitterness aside, I really enjoyed the episode. With my long love/hate relationship with GLEE, I have to say this was one of the best episodes of GLEE I've seen in weeks. In a season plagued by unnecessary plots, secondary characters, and pretty boring musical numbers, this one was really a breakthrough.

This episode was great for several reasons. For one thing, the episode was an ensemble piece. It was not all about Rachel or Kurt or Mr. Shue. Everyone really got a chance to shine and to sing (even Ms. Pilsbury, and the love of my life - Mr. John Stamos). The success of the episode was based on each character's performances. For once, Sam didn't act too annoying.

Another thing that was crucial to this episode's success was to balance the musical aspect of the show and the storyline. All too often, shows get caught up in the "school play" aspect, like season 1 of 90210 and the painful episodes-long production of Spring Awakening. There were some nice story lines - the new kid (Sam) trying to use his physique to impress Quinn, Mercedes taking over the lead role (for once), and Mr. Shue trying to impress Emma (and her great rendition of "Touch Me." Plus, we saw the return of the cable news segment "Sue's Corner," where Sue says horribly offensive things in the name of defending small town Ohio. Most importantly, for once, I wasn't repulsed by a Rachel-Finn duet. I enjoyed hearing them sing "Dammit, Janet."

My favorite part was the cast-wide rendition of "Time Warp." It was not only a well-sung and danced number, but it made the viewer enjoy the music. In a season that has been lacking strong cast-driven musical numbers like season 1's "Don't Stop Believing," this episode brought me back to that singular moment when I first fell in love with GLEE.

The one nagging thing about the episode was the final message. I was okay with them cancelling the musical. Then, I was okay with the idea of the kids doing the show "for themselves" and not letting anyone push them around. I was NOT okay with their interpretation of the message of Rocky Horror. This musical is not all about breaking boundaries, like the GLEE folks claimed. The main theme of the musical is about giving yourself over to pleasure, and the multitude of corruption associated with pleasure. Its much more of a moral, or rather, anti-moral message. Rocky Horror is not perpetuating the "stick it to the man" and "believe in yourself" messages that GLEE first perpetuated in the "Funk" episode from last season, and continued to honor in this episode.